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출연:Andrzej Banaszewski Beata Barszczewska 马里乌什·德莫霍夫斯基
감독:斯坦尼斯拉夫·罗泽维格
줄거리: In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his brother, Taduesz Rozewicz as screenwriter. Such brother tandems are rare in the history of film but aside from family ties, Stanislaw (born in 1924) and Taduesz (born in 1921) were mutually bound by their love for the cinema. They were born and grew up in Radomsk, a small town which had "its madmen and its saints" and most importanly, the "Kinema" cinema, as Stanislaw recalls: for him cinema is "heaven, the whole world, enchantment". Tadeusz says he considers cinema both a charming market stall and a mysterious temple. "All this savage land has always attracted and fascinated me," he says. "I am devoured by cinema and I devour cinema; I'm a cinema eater." But Taduesz Rozewicz, an eminent writer, admits this unique form of cooperation was a problem to him: "It is the presence of the other person not only in the process of writing, but at its very core, which is inserperable for me from absolute solitude." Some scenes the brothers wrote together; others were created by the writer himself, following discussions with the director. But from the perspective of time, it is "Birth Certificate", rather than "Echo" or "The Wicked Gate", that Taduesz describes as his most intimate film. This is understandable. The tradgey from September 1939 in Poland was for the Rozewicz brothers their personal "birth certificate". When working on the film, the director said "This time it is all about shaking off, getting rid of the psychological burden which the war was for all of us. ... Cooperation with my brother was in this case easier, as we share many war memories. We wanted to show to adult viewers a picture of war as seen by a child. ... In reality, it is the adults who created the real world of massacres. Children beheld the horrors coming back to life, exhumed from underneath the ground, overwhelming the earth." The principle of composition of "Birth Certificate" is not obvious. When watching a novella film, we tend to think in terms of traditional theatre. We expect that a miniature story will finish with a sharp point; the three film novellas in Rozewicz's work lack this feature. We do not know what will be happen to the boy making his alone through the forest towards the end of "On the Road". We do not know whether in "Letter from the Camp", the help offered by the small heroes to a Soviet prisoner will rescue him from the unknown fate of his compatriots. The fate of the Jewish girl from "Drop of Blood" is also unclear. Will she keep her new impersonation as "Marysia Malinowska"? Or will the Nazis make her into a representative of the "Nordic race"? Those questions were asked by the director for a reason. He preceived war as chaos and perdition, and not as linear history that could be reflected in a plot. Although "Birth Certificate" is saturated with moral content, it does not aim to be a morality play. But with the immense pressure of reality, no varient of fate should be excluded. This approached can be compared wth Krzysztof Kieslowski's "Blind Chance" 25 years later, which pictured dramatic choices of a different era. The film novella "On the Road" has a very sparing plot, but it drew special attention of the reviewers. The ominating overtone of the war films created by the Polish Film School at that time should be kept in mind. Mainly owing to Wajda, those films dealt with romantic heritage. They were permeated with pathos, bitterness, and irony. Rozewicz is an extraordinary artist. When narrating a story about a boy lost in a war zone, carrying some documents from the regiment office as if they were a treasure, the narrator in "On the Road" discovers rough prose where one should find poetry. And suddenly, the irrational touches this rather tame world. The boy, who until that moment resembled a Polish version of the Good Soldier Schweik, sets off, like Don Quixote, for his first and last battle. A critic described it as "an absurd gesture and someone else could surely use it to criticise the Polish style of dying. ... But the Rozewicz brothers do no accuse: they only compose an elegy for the picturesque peasant-soldier, probably the most important veteran of the Polish war of 1939-1945." "Birth Certificate" is not a lofty statement about national imponderabilia. The film reveals a plebeian perspective which Aleksander Jackieqicz once contrasted with those "lyrical lamentations" inherent in the Kordian tradition. However, a historical overview of Rozewicz's work shows that the distinctive style does not signify a fundamental difference in illustrating the Polish September. Just as the memorable scene from Wajda's "Lotna" was in fact an expression of desperation and distress, the same emotions permeate the final scene of "Birth Certificate". These are not ideological concepts, though once described as such and fervently debated, but rather psychological creations. In this specific case, observes Witold Zalewski, it is not about manifesting knightly pride, but about a gesture of a simple man who does not agree to be enslaved. The novella "Drop of Blood" is, with Aleksander Ford's "Border Street", one of the first narrations of the fate of the Polish Jews during the Nazi occupation. The story about a girl literally looking for her place on earth has a dramatic dimension. Especially in the age of today's journalistic disputes, often manipulative, lacking in empathy and imbued with bad will, Rozewicz's story from the past shocks with its authenticity. The small herione of the story is the only one who survives a German raid on her family home. Physical survial does not, however, mean a return to normality. Her frightened departure from the rubbish dump that was her hideout lead her to a ruined apartment. Her walk around it is painful because still fresh signs of life are mixed with evidence of annihilation. Help is needed, but Mirka does not know anyone in the outside world. Her subsequent attempts express the state of the fugitive's spirits - from hope and faith, moving to doubt, a sense of oppression, and thickening fear, and finally to despair. At the same time, the Jewish girl's search for refuge resembles the state of Polish society. The appearance of Mirka results in confusion, and later, trouble. This was already signalled by Rozewicz in an exceptional scene from "Letter from the Camp" in which the boy's neighbour, seeing a fugitive Russian soldier, retreats immediately, admitting that "Now, people worry only about themselves." Such embarassing excuses mask fear. During the occupation, no one feels safe. Neither social status not the aegis of a charity organisation protects against repression. We see the potential guardians of Mirka passing her back and forth among themselves. These are friendly hands but they cannot offer strong support. The story takes place on that thin line between solidarity and heroism. Solidarity arises spontaneously, but only some are capable of heroism. Help for the girl does not always result from compassion; sometimes it is based on past relations and personal ties (a neighbour of the doctor takes in the fugitive for a few days because of past friendship). Rozewicz portrays all of this in a subtle way; even the smallest gesture has significance. Take, for example, the conversation with a stranger on the train: short, as if jotted down on the margin, but so full of tension. And earlier, a peculiar examination of Polishness: the "Holy Father" prayer forced on Mirka by the village boys to check that she is not a Jew. Would not rising to the challenge mean a death sentance? Viewed after many years, "Birth Certificate" discloses yet another quality that is not present in the works of the Polish School, but is prominent in later B-class war films. This is the picture of everyday life during the war and occupation outlined in the three novellas. It harmonises with the logic of speaking about "life after life". Small heroes of Rozewicz suddenly enter the reality of war, with no experience or scale with which to compare it. For them, the present is a natural extension of and at the same time a complete negation of the past. Consider the sleey small-town marketplace, through which armoured columns will shortly pass. Or meet the German motorcyclists, who look like aliens from outer space - a picture taken from an autopsy because this is how Stanislaw and Taduesz perceived the first Germans they ever met. Note the blurred silhouettes of people against a white wall who are being shot - at first they are shocking, but soon they will probably become a part of the grim landscape. In the city centre stands a prisoner camp on a sodden bog ("People perish likes flies; the bodies are transported during the night"); in the street the childern are running after a coal wagon to collect some precious pieces of fuel. There's a bustle around some food (a boy reproaches his younger brother's actions by singing: "The warrant officer's son is begging in front of the church? I'm going to tell mother!"); and the kitchen, which one evening becomes the proscenium of a real drama. And there are the symbols: a bar of chocolate forced upon a boy by a Wehrmacht soldier ("On the Road"); a pair of shoes belonging to Zbyszek's father which the boy spontaneously gives to a Russian fugitive; a priceless slice of bread, ground under the heel of a policeman in the guter ("Letters from the Camp"). As the director put it: "In every film, I communicate my own vision of the world and of the people. Only then the style follows, the defined way of experiencing things." In Birth Certificate, he adds, his approach was driven by the subject: "I attempted to create not only the texture of the document but also to add some poetic element. I know it is risky but as for the merger of documentation and poety, often hidden very deep, if only it manages to make its way onto the screen, it results in what can referred to as 'art'." After 1945, there were numerous films created in Europe that dealt with war and children, including "Somewhere in Europe" ("Valahol Europaban", 1947 by Geza Radvanyi), "Shoeshine" ("Sciescia", 1946 by Vittorio de Sica), and "Childhood of Ivan" ("Iwanowo dietstwo" by Andriej Tarkowski). Yet there were fewer than one would expect. Pursuing a subject so imbued with sentimentalism requires stylistic disipline and a special ability to manage child actors. The author of "Birth Certificate" mastered both - and it was not by chance. Stanislaw Rozewicz was always the beneficent spirit of the film milieu; he could unite people around a common goal. He emanated peace and sensitivity, which flowed to his co-workers and pupils. A film, being a group work, necessitates some form of empathy - tuning in with others. In a biographical documentary about Stanislaw Rozewicz entitled "Walking, Meeting" (1999 by Antoni Krauze), there is a beautiful scene when the director, after a few decades, meets Beata Barszczewska, who plays Mireczka in the novella "Drops of Blood". The woman falls into the arms of the elderly man. They are both moved. He wonders how many years have passed. She answers: "A few years. Not too many." And Rozewicz, with his characteristic smile says: "It is true. We spent this entire time together."
출연:三船敏郎 仲代达矢 司叶子 山田五十铃 加东大介 河津清三郎 志村乔 太刀川宽 夏木阳介 东野英治郎 藤原釜足 泽村伊纪雄 渡边笃 藤田进 山茶花究 西村晃 加藤武 中谷一郎 堺左千夫 谷晃 土屋嘉男 清水元 佐田丰 大友伸 广濑正一 天本英世 大木正司 大村千吉 本间文子 桐野洋雄 大友纯 高木新平 小川安三 熊谷卓三 杰瑞·藤尾 中岛春雄
감독:黑泽明
줄거리: 外表落魄邋遢的浪人武士三十郎(三船敏郎 饰)来到一个小镇,清兵卫(河津清三郎 饰)和新田丑寅(山茶花究 饰)两家恶霸在那里为争夺地盘,招兵买马经常争斗,弄得民不聊生。三十郎决定从中设计,引诱双方雇佣自己,再加入不同方造成两边拼斗,由此坐收渔利,消灭对方。 但随着丑寅弟弟卯之助(仲代达矢 饰)的加入,情况又发生了不同,他手里握有短枪,占得优势,清兵卫的势力被打败,三十郎甚至也受伤不轻。但是决战在所难免,椿三十郎独对丑寅、亥之吉等众人,身处劣势的他如何能剿灭对方呢?
출연:山本富士子 岸惠子 船越英二 中村玉绪 岸田今日子 宫城真里子
감독:市川昆
줄거리: 在电视台担任制作人的风松吉(船越英二 饰)是一个风流轻浮、处处留情的男子,除却妻子双叶(山本富士子 饰)外,他还有不下十名情妇。双叶知晓丈夫的行径,却无计可施,只得专心经营酒吧以排遣苦恼。松吉的情妇们争风吃醋,彼此知道对方的存在,虽然怨恨松吉的放荡无形,却又对他眷恋不已。情妇之一的石下市子(岸恵子 饰)找到双叶,言谈间流露出想要杀死松吉的念头。虽则是玩笑之语,倒也令松吉惊出一身冷汗。惊魂方定,他便与妻子策划,准备上演一出假死的闹剧,彻底摆脱这群女人的纠缠…… 本片由市川昆担任导演,其妻子和田夏十担任编剧。
출연:丁莹 朱江 林坤山 李鹏飞
감독:莫康时
줄거리: 故事以倒叙形式表达。夏氏兄弟经营之公司业务蒸蒸日上,原来背后有一段曲折往事。夏云骧年老病危,临终时不忘教诲儿子二人要兄弟同心,相亲相爱。长子仲觉敦厚踏实事父至孝,幼子仲慧却沉迷赌博玩乐。表妹江静霞自幼寄居夏家,钟情于二表哥慧,常与觉规劝慧,慧却疑父偏爱兄长,不时与觉冲突。 骧病逝,觉不支病倒,慧欲独占家产,逼老仆忠伯在觉的药中下毒,觉毒发身亡后,慧终日被觉的鬼魂缠绕,更误把新婚妻子霞当作觉,把她杀死,觉鬼魂再度出现欲扼杀慧。。。。。。慧惊醒,方知是噩梦一场,赶忙阻止觉服下毒药,并向兄忏悔改过。两兄弟携手合作经营父亲遗业,创出佳绩。
출연:阿尔贝托·索尔迪 维托里奥·加斯曼 阿努克·艾梅 费南代尔 尼诺·曼弗雷迪 西尔瓦娜·曼加诺 玛丽娜·墨蔻莉 利诺·文图拉
감독:维托里奥·德西卡
줄거리: In Naples, a voice from the skies announces one morning that the final judgment will be at 6 p.m. on that day. What follows is a series of vignettes depicting various people's reactions (or lack there of) to the announcement.
출연:罗德·泰勒 凯特·鲍尔 本·怀特 丽莎·戴维斯 贝蒂·洛乌·格尔森 J·帕特·奥马利 玛莎·温特沃思 大卫·弗兰克海姆 弗莱德里克·沃洛克 汤姆·康威 都铎·欧文 乔治·佩林 拉姆齐·希尔 奎妮·伦纳德 玛乔丽·本尼特 米基·马加 巴巴拉·比尔德 美美·吉布森 桑德拉·艾勃特 瑟尔·莱文斯克洛福特 比尔·李 保罗·韦克斯勒 芭芭拉·卢迪 丽莎·丹尼尔斯 巴兹尔·勒伊斯达尔 戴尔·麦肯南 西尔维·玛丽奥特
감독:克莱德·杰洛尼米 汉密尔顿·卢斯科 沃夫冈·雷瑟曼
줄거리: 罗格于(Ben Wright 配音)和阿尼塔(Lisa Davis 配音)夫妇饲养的大麦町狗庞哥(Rod Taylor 配音)与帕蒂塔(Cate Bauer 配音)喜结良缘,共组成欢乐家庭。没过多久,帕蒂塔生育了十五只小狗。正在一家人享受小狗带来的欢乐之际,阿尼塔的女上司克鲁拉·德维尔(Betty Lou Gerson 配音)打起了坏主意。她正在为制作一件黑白斑点的大衣而发愁,于是她派人绑走了小狗,和其他八十四只大麦町幼犬一同关在乡间的空屋里。发现孩子失踪的庞哥与帕蒂塔,通过狗吠召集全市的狗类,一同找寻自己的孩子,一场小狗救援记就此展开,庞哥与帕蒂塔能否在小狗被宰杀之前营救他们逃出呢…… 《101斑点狗》是迪士尼1961年推出的第17部经典动画,取材自Dodie Smith 的作品。
출연:皮埃尔·布拉瑟 玛丽安妮·柯奇 让-路易·特兰蒂尼昂 帕斯卡勒·奥德雷
감독:乔治·弗朗叙
줄거리: When he learns his days are numbered old count Hervé de Kéraudren decides to hide in a secret alcove and to die there, just to annoy his heirs. As a result of his body not being found the latter will have to wait for five years until they can inherit the count's money. Very upsetting indeed, all the more as they are required to keep up the Kéraudren estate in the meantime. To collect money, nephews and nieces organize a Son et Lumière show at the manor while busily looking for the missing corpse. But, unexpectedly, they get killed in turns. Murders or accidents? Jean-Marie, his fiancée Micheline and his cousin Edwige investigate and finally succeed in exposing the culprit. And, the count's body being found by chance, all goes back to normal.
출연:艾琳·帕帕斯 马诺斯·卡特拉基斯 Maro Kodou
감독:Yorgos Javellas
줄거리: 故事发生在古希腊的底比斯,俄狄浦斯王弑父娶母后,生了二个儿子——厄忒俄克勒斯和波吕涅刻斯,以及两个女儿——安提戈涅(艾琳·帕帕斯 Irene Papas 饰)和伊斯墨涅。波吕涅刻斯借岳父的兵力回国来和他的哥哥厄忒俄克勒斯争夺王位,结果两兄弟自相残杀而死。克瑞翁以舅父资格继承了王位,他为厄忒俄克勒斯举行了盛大的葬礼,宣布波吕涅刻斯为叛徒,不许人埋葬他的尸首。克瑞翁下令,谁埋葬波吕涅刻斯就处以死刑。安提戈涅遵循神律,尽了亲人必尽的义务,把她哥哥埋葬了,因此她被克瑞翁下令处死。随后,底比斯城的先知告诉克瑞翁,说他冒犯了诸神。克瑞翁赶去救安提戈涅,却发现她已死去。克瑞翁的儿子海蒙,是安提戈涅的未婚夫,他拔剑刺杀克瑞翁而后自杀。克瑞翁的妻子听说儿子已死,也跟着自杀。克瑞翁最后落得一个孤家寡人的悲剧下场。
출연:堺正俊 香川京子 Furankî Sakai 小泉博
감독:本多猪四郎
줄거리: Shipwreck survivors are found on Beiru Island (Infanto tô), which was previously used for atomic tests. The interior is amazingly free of radiation effects, and they believe that they were protected by a special juice that was given to them by the island's residents. A joint expedition of Rolisican and Japanese scientists explores Beiru and discovers many curious things, including two women only one foot (30 centimeters) high. Unscrupulous expedition leader Clark Nelson abducts the women and puts them in a vaudeville show. But their sweet singing contains a telepathic cry for help to Mothra, a gigantic moth that is worshiped as a deity by the island people. The giant monster heeds the call of the women and heads to Tokyo, wreaking destruction in its path.
출연:Loredana Detto Sandro Panseri Mara Revel 图利奥·凯齐赫
감독:埃曼诺·奥尔米
줄거리: 年轻的多蒙利冒险从小镇来到米兰,在一家大公司里找了一份工作,面对巨大的生活压力与温柔美丽的艾多丽使他很矛盾,为了心中的理想多蒙利只有忘我地工作,希望能够赢得艾多丽,现实的生活让他突然一夜之间失去了许多,他才发现自己是生活在社会最底层的人,极度的愤怒让他讨厌一切。 导演奥米建立风格和信誉的早期写实作品,叙述了一个15岁乡下男孩到米兰的大公司谋职的经过。男孩多米尼克在求职过程中结识了一个女孩,她也在等待被录用,在经历了各种考验后,两人最终如愿进入了这家公司。多米尼克凭借自己不断的勤奋努力,成为办公室主管,但他仍不满足,对生活和前途充满勃勃野心。 影片展示了意大利社会生活的艰辛,讽刺了谋职的贪婪,还提出了一个很耐人寻味的问题,那就是工业社会的紧张、单调与葬送青春、泯灭纯真。全片注重的是日常生活的细节描写,还原了一个小职员普通生活和工作的心理真实。导演没有过多把自己对生活的评价放进电影,他只是以“生活流”手法白描了这样一个普通的故事,纪实的风格朴实无华。
출연:卡罗尔·贝克 拉尔夫·米克 米尔德丽德·丹诺克 珍·斯泰普尔顿 马丁·科斯莱克 查尔斯瓦茨 克里夫顿·詹姆斯 George L. Smith 多莉丝·罗伯茨 Ken Chapin Anita Cooper Ginny Baker 塔妮娅·洛佩尔 Nancy Baker 弗吉尼亚·贝克 里德·克鲁克香克斯 罗伯特·达赫达赫 Mike Dana 罗杰·德科文 威廉·赫基 Duke Howard 戴安·拉德 Warren Lyons Jane MacArthur Charles Matthews 洛根·拉姆齐
감독:杰克·加芬
줄거리: 少女玛丽安在放学回家路上遭遇凌辱,离家出走。找到一份微薄工作。玛丽安孤僻性格受到同室之人冷漠应待,伤心之余想要跳河自杀,被路过的麦克所救。玛丽安暂避麦克居所,但麦克不给玛丽安自由,一而再再而三地向她求婚。玛丽安最终答应了麦克。玛丽安的母亲找来,母女团圆。 该片根据亚历克斯·卡默的小说《玛丽安》改编。
출연:任剑辉 罗艳卿 郑君绵
감독:龙图
줄거리: 剧情简介: 穷书生赵伟文与邻居程素华青梅竹马,共订白头。文上京赴考,高中状元,圣上为媒,要他娶陈尚书之女月华。榜眼杜文通对月痴心一片,求文不要夺爱。文实不愿娶月,奈何圣旨难违,遂于成亲当日佯装疯癫,尚书惟有暂延婚事。 文音讯全无,素偕养父寿伯上京寻文,获悉文将成尚书女婿,暗中随陈府老仆进府见文,文誓言永不负爱。惟素与月相貌酷肖,文一时难辨,闹出不少误会。原来二人是自幼失散的孪生姊妹。最后,骨肉团聚,虽月与素皆不是尚书大人所出,但夫人把两人等同亲生,共享荣华。文与素喜成鸾凤,通与月亦共结佳偶。 更多外文片名:Gang gu ye 导演:龙图 Tu Long 编剧:龙图 Tu Long 演员表: 任剑辉 Kim Fai Yam ....赵伟文 罗艳卿 Yanqing Luo ....程素华、陈月华 李海泉 Hoi-Chuen Lee ....寿伯 郑君绵 Cheng Kwan Min ....杜文通 任冰儿 Binger Ren ....小荷 马笑英 Xiaoying Ma ....陈夫人 黎雯 Man Lai ....伟文母 张志荪 Chi Suen Cheung ....财叔 张生 Sang Cheung ....陈尚书 摄影 Cinematography:黄捷 Hung Chieh 剪辑 Film Editing:宋明 Ming Sung 美术设计 Art Direction by:赵全 Quan Zhao 布景师 Set Decoration by:梁海山 Haishan Liang 副导演/助理导演 Assistant Director:冯京 Jing Feng 影片类型:喜剧 国家/地区:中国香港 对白语言:粤语 色彩:黑白 洗印格式:35 mm 上映/发行日期(细节):中国香港 Hong Kong 1961年2月28日 制作公司:桃源电影企业公司 [中国香港]
출연:苏珊·斯塔丝伯格 罗纳德·刘易斯 安·托德 克里斯托弗·李 John Serret Leonard Sachs Anne Blake Fred Johnson Heinz Bernard Bernard Browne Rodney Burke Brian Jackson Richard Klee Madame Lobegue Frederick Rawlings
감독:Seth Holt
줄거리: 佩妮(苏珊·斯塔丝伯格 Susan Strasberg 饰)的父母在她很小的时候就离婚了,一直以来,佩妮都跟着母亲生活。一场意外夺走了母亲的生命,于是,孤苦无依的佩妮接受了父亲的邀请,前去和父亲以及继母一起生活。然而到了父亲家,佩妮却发现在那里的只有继母一人,虽然这个女人表现得非常的和善与热情,但佩妮还是对她充满了戒备。 继母家里发生的各种诡异的事情,以及始终下落不明的父亲让佩妮的神经越来越紧张,渐渐地,她开始分不清,在这里经历的一切,究竟是不是自己的幻觉。很显然,继母也希望佩妮产生这让的自我怀疑。
출연:迈克尔·克雷格 琼·格林伍德
감독:赛·恩菲尔德
줄거리: During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen <[email protected]> In 1865, during the siege of Richmond, Virginia, the union soldiers POW Captain Harding, Neb and Herbert escape in a balloon during a storm with two confederate prisoners, Sergeant Pencroft and the journalist Spilett. The uncontrollable wind takes the balloon to a mysterious island in the South Pacific in the area of New Zealand. Captain Harding self-proclaims the leader of the group and they look for food; sooner they discover that they are stranded in an island. Further, they are attacked by a giant crab that becomes their first meal. Along the days, they build a shelter and finds that the island is inhabited by giant animals. A couple of days later, they find two castaways on the beach, the aristocratic Lady Mary Fairchild and her sexy niece Elena. Later they find a trunk with weapons and instruments like sextant and shelter with a journal of a man left alone in the island by pirates. When the pirate vessel arrives in the island, they are helped by Captain Nemo of the Nautilus, a submarine that had supposedly sunk in the coast of Mexico eight years ago. Nemo is famous as the man that tried to end strike among man. When the volcano begins activity, they need to leave the island to save their lives. Written by Claudio Carvalho, Rio de Janeiro, Brazil
출연:斯宾塞·屈塞 伯特·兰卡斯特 理查德·威德马克 玛琳·黛德丽 马克西米连·谢尔 朱迪·加兰 蒙哥马利·克利夫特 维尔纳·克伦佩雷尔
감독:斯坦利·克雷默
줄거리: 讲述二战后在纽伦堡提审德国纳粹计划的法律关系者,三个被告提审的原因是给犹太人施行断种手术。担任主审判长的是美国人赫鲁特,他主张其中两个被告无罪;而德国司法部长亚林克竟对此事保持沉默,但检查官罗森上校却激烈的指责被告,因此三个人展开激烈的辩论。审讯继续进行下去。而美国的高级官员们希望能在审判中获提德国所犯罪行的良好证明,因此对审判施以极大的压力,但赫鲁特坚守法律的正义立场,给予了最公正的判决。在宣布判决结果时,只有亚林对赫鲁特审判长的态度表示赞赏。
출연:白虹 林琳 凌云
감독:张英
줄거리: 重新出土的【大俠梅花鹿】,是一部標榜「天然景禽獸裝的台語童話故事片」,影片結合「狼來了」、「龜兔賽跑」等家喻戶曉的童話故事,透過動物擬人化巧妙安排,構成了這部饒富趣味的KUSO台語影片,也改變過往對於悲情台語片的刻板印象。當年知名小生凌雲飾演的梅花鹿大俠與大角鹿爲了爭奪鹿小姐芳心,破壞了原本平靜快樂的森林,同時狐狸精對鹿小姐因心生忌妒,設下一連串陷阱詭計,卻因東窗事發而引狼入室。負責看守森林的小羊因常謊報「狼來了」,逐漸失去大家的信任,直到狼群入侵山羊公公的地盤,才喚起動物們的警覺心,紛紛武裝對抗敵人。一時之間山林裡掀起了熱鬧非凡的大混戰,最後幸虧鹿大俠英勇救美,才化解一場森林危機。當年的海報標語上的文案:天然景禽獸裝台語童話故事片、鹿小姐痴情、梅花鹿報仇、狐狸精引狼、吸血狼兇暴,真是太神奇了的五○年代啊!
출연:奥黛丽·赫本 乔治·佩帕德 帕德里夏·妮尔 巴迪·艾布森 马丁·鲍尔萨姆 约瑟·路易斯·德·维拉龙卡 约翰·麦盖沃 多萝西·惠特尼 斯坦利·亚当斯 埃尔维亚·奥尔曼 艾伦·里德 克劳德·斯特劳德 米基·鲁尼
감독:布莱克·爱德华兹
줄거리: 清晨的纽约街头,相貌清丽的女子霍莉(奥黛丽·赫本 Audrey Hepburn饰)在橱窗前徜徉,她就是纽约上流社会的交际花。对金钱和物质的崇拜,同时却不失天真善良的霍莉,就像是纽约的“茶花女”,靠着每小时五十、一百的费用来获得交际收入。在她心里,还有一个重要的目标,那就是嫁得金龟婿。 霍莉的新邻居是一个作家保罗(乔治·佩帕德 George Peppard饰),梦想着成名,却也是依靠富太太的供给度日。遇见霍莉的保罗堕入情网,千方百计让霍莉过回正常生活,并向她求婚。然而,霍莉似乎并不愿意,在她心中,嫁给这么一个人,放弃她之前的努力,未免太不值。然而,霍莉在寻找幸福路上跌跌撞撞,直到有一天才突然明白了幸福的含义。
출연:罗德·泰勒 凯特·鲍尔 本·怀特 丽莎·戴维斯 贝蒂·洛乌·格尔森 J·帕特·奥马利 玛莎·温特沃思 大卫·弗兰克海姆 弗莱德里克·沃洛克 汤姆·康威 都铎·欧文 乔治·佩林 拉姆齐·希尔 奎妮·伦纳德 玛乔丽·本尼特 米基·马加 巴巴拉·比尔德 美美·吉布森 桑德拉·艾勃特 瑟尔·莱文斯克洛福特 比尔·李 保罗·韦克斯勒 芭芭拉·卢迪 丽莎·丹尼尔斯 巴兹尔·勒伊斯达尔 戴尔·麦肯南 西尔维·玛丽奥特
감독:克莱德·杰洛尼米 汉密尔顿·卢斯科 沃夫冈·雷瑟曼
줄거리: 罗格于(Ben Wright 配音)和阿尼塔(Lisa Davis 配音)夫妇饲养的大麦町狗庞哥(Rod Taylor 配音)与帕蒂塔(Cate Bauer 配音)喜结良缘,共组成欢乐家庭。没过多久,帕蒂塔生育了十五只小狗。正在一家人享受小狗带来的欢乐之际,阿尼塔的女上司克鲁拉·德维尔(Betty Lou Gerson 配音)打起了坏主意。她正在为制作一件黑白斑点的大衣而发愁,于是她派人绑走了小狗,和其他八十四只大麦町幼犬一同关在乡间的空屋里。发现孩子失踪的庞哥与帕蒂塔,通过狗吠召集全市的狗类,一同找寻自己的孩子,一场小狗救援记就此展开,庞哥与帕蒂塔能否在小狗被宰杀之前营救他们逃出呢…… 《101斑点狗》是迪士尼1961年推出的第17部经典动画,取材自Dodie Smith 的作品。
출연:勝新太郎 川口浩 市川雷蔵 山本富士子 京マチ子
감독:三隅研次
줄거리: 标志大映辉煌顶峰的作品。 インド北方の国にあるカピラ城は、ある朝、金色の大光輪に包まれた。スッドーダナ王の妃マーヤーがシッダ太子を生み落したのだ。それから二十年--美貌のほまれ高いスパーフ城の王女ヤショダラー姫の婿となるべき男の武芸大会が開かれた。各国王子の中で最後まで残ったのは、シッダ太子とその従兄ダイバ・ダッタの二人であった。競うこと半日、ついにシッダ太子が勝利を収めた。カピラ城内で太子夫妻の幸福な結婚生活が六年間おくられた。しかし、その頃から次第にシッダ太子の心深くに人生への懐疑が生れた。自らの境遇と奴隷や賤民の身の上との余りの違いに人生の苦悩を持ったのだ。ある夜、太子は心の安らぎと人生の悟りの道を得るために最愛の妻と城を後に禅定の地を求めて出城した。太子の諸国の放浪が続いた。ある時は岩石ガイガイたる荒野を、ある時はヒマラヤ山麓の原始林を--経てある川の畔の大きな菩提樹の蔭に太子の苦行が始められた。一方、ヤショダラー妃への邪な恋情を捨て切れないダイバは、ある夜、策略を弄して妃を犯してしまった。妃は自殺した。この悲報にも太子は城に帰ろうとしなかった。こうした菩提樹のもとにあらゆる誘惑を退けながら六年の間、苦行を続けたシッダ太子は一切の怒りと憎しみを忘れ村の女サヤ(実は帝釈天)の介添により遂に悟りを開いた。太子は仏陀として生れ変ったのだ。鹿野苑の仏陀のもとには、尊き法の教を乞う人達が全国より集って来た。仏陀の高い噂を聞いたダッタは、シュラダ行者のもとで神道力を授かるや敢然として仏陀への挑戦を開始、バラモンの布教に勤めだした。マダカ国のアジャセ王子がその出生の秘密に苦悩し父王と不和であることを知ったダイバはうまく王子に取り入って王子の権力を悪用し、バラモンの大神殿を建造させると共に、仏教徒に対する迫害と処刑を図った。このダイバの余りな非人道的な仕打に次第に疑問を抱き始めたアジャセ王子は鹿野苑に仏陀を訪れた。王子は仏陀の教えに導かれダイバとの訣別を決意した。これを知ったダイバは、王子に国王ビンビサーラ殺しのぬれぎぬを着せ、自らマダカ国王としての宣言を大神殿の台座から怒号した。その時、大地震が起りダイバは巨大な亀裂の中に消えていった。仏陀の怒りが奇蹟をもたらしたのである。それから何年かの間、仏陀の温い慈愛は庶民に安らぎを与えその教えは全世界に広まっていった。そして仏陀の入滅後も、崇高なる教えは全世界の人間の心の中に永遠に生きているのだった。
출연:玛索琳娜·罗尔丹·伊文思 Marilù Parolini
감독:让·鲁什 埃德加·莫兰
줄거리: 1960年的夏天,社会学家埃德加·莫兰和让·鲁什对巴黎年轻人的日常生活进行调查,了解他们对幸福的理解。这部论述电影连续几个月跟踪调查的进行,也记录了主人公们的变化。调查中被采访的人最后在影片第一次放映的时候聚集在一起观看进行讨论,有人的赞同,有的人驳斥。两位导演通过这部真实电影,经历了既极具挑战又充满乐趣的体验。 "In the summer of 1960, Jean Rouch and Edgar Morin investigated the everyday life of people living in Paris. ""Are you happy? How do you live?"" These are some of questions they asked young people on the street in an attempt to understand their idea of happiness. From manual labourers, students, to a couple of office workers, the different protagonists reveal themselves in conversation, unconcerned about the presence of the camera. With no script, and no professional actors, this film sets out to frame the limits of cinematographic truth." 1961 戛纳国际电影节 国际影评人奖
출연:邱岳峰 富润生 毕克 尚华 于鼎 李梓 刘广宁
감독:万籁鸣
줄거리: 话说在东土傲来国有一座花果山,山上有一尊石猴吸收日精月华化身为一只神猴(邱岳峰 音),统领着山中的猴子猴孙。为求得一件称心的宝贝,神猴孙大圣潜入龙宫,强硬求来大禹治水时的定海神针如意金箍棒。东海龙王(毕克 音)心有不甘,于是上天将此事诉诸玉帝(富润生 音)。玉皇大帝命令太白金星(尚华 音)下界招安,许以爵位。不知有诈的孙大圣欣然前往,却发现只是负责养马的弼马温。得知受骗的猴王反下天庭,与天兵天将在花果山展开大战…… 本片根据古典名著《西游记》中的故事改编,前后历时4年创作,并荣获1962年捷克斯洛伐克卡罗维发利国际电影节短片特别奖、1978年英国伦敦国际电影节年度杰出电影奖、1982年厄瓜多尔第四届国际儿童电影节三等奖、第二届中国电影“百花奖”最佳美术片奖。
출연:丹尼斯·霍珀 卢安娜·安德斯 琳达·劳森
감독:柯蒂斯·哈灵顿
줄거리: On leave in a shore side town, Johnny becomes interested in a young dark haired woman. They meet and he learns that she plays a mermaid in the local carnival. After strange occurrences, Johnny begins to believe that she may actually be a real mermaid that habitually kills during the cycle of the full moon.
출연:王蓓 刘安古 董明 连德枝 李保罗
감독:潘文展 孟远
줄거리: 传说中,在马兰山的山顶上,生长着珍贵的马兰花,这种花能够给勤劳勇敢的人带来幸福。山脚下居住着王老爹(李保罗 饰)一家人,王老爹有两个女儿,大兰(王蓓 饰)好吃懒做,小兰(王蓓 饰)勤俭善良,小兰非常想要一睹马兰花的真容,为了满足女儿的愿望,王老爹决定登上马兰山,为小兰去采一朵马兰花。哪知道在山顶,王老爹一个没站稳,摔下了悬崖,幸运的是,这一幕被马郎(刘安古 饰)看见了,他救下了王老爹。 通过交谈,马郎得知了王老爹正是自己爱慕的姑娘小兰的父亲,于是以马兰花为信物,向小兰求婚,这可乐坏了王老爹,与此同时,黑心狼(董明 饰)也觊觎马兰花的魔力,开始打起了算盘。
출연:黛博拉·蔻儿 彼得·温贾德 梅格斯·詹金斯 迈克尔·雷德格瑞夫 马丁·史蒂芬斯 帕梅拉·富兰克林
감독:杰克·克莱顿
줄거리: 本片根据亨利·詹姆斯的小说《螺丝在拧紧》改编而成。19世纪末,美丽的女教师吉登斯小姐(黛博拉·寇儿Deborah Kerr 饰)来到乡下庄园照顾雇主的侄女弗洛拉(帕米拉·弗兰克林Pamela Franklin 饰)和侄子迈尔斯(马丁·史蒂芬斯 Martin Stephens 饰)。不久,吉登斯小姐发现自己常看到奇怪的影像,仿佛房子被鬼魂纠缠,孩子们也被魔鬼附体,说出或做出过分成熟诡异的话语或行动。管家格罗斯太太(麦戈斯·吉肯斯 Megs Jenkins 饰)向她透露,这一切可能与已故的前家庭教师及总管的地下恋情有关。吉登斯小姐不顾一切想将孩子们从魔鬼的掌控中营救出来,但她所看到的鬼影是否可能只是她自己的幻觉呢? 本片获法国嘎纳电影节金棕榈奖提名,并获英国电影电视协会最佳英国电影和最佳电影两项提名。
출연:杰瑞·刘易斯 海伦·特劳贝尔 帕特·斯坦利 凯瑟琳·弗里曼 乔治·拉夫特 哈里·詹姆斯 马蒂·因格斯 Buddy Lester 格洛里亚·吉恩 奥佩·霍利迪 杰克·拉拉尼 Westbrook Van Voorhis Sylvia Lewis 埃迪·基扬 Dee Arlen 罗斯科·阿蒂斯 Francesca Bellini 杰克·克鲁申 亚历克斯·格里 帕特里夏·布莱尔 Doodles Weaver Lillian Briggs 玛丽安娜·加巴 凯琳·卡普希纳 玛丽·拉罗什 安麦克雷 马德琳·鲁 Shei
감독:杰瑞·刘易斯
줄거리: 赫伯特的女朋友离开他之后,赫伯特非常沮丧,开始找工作。他终于在一个大房子里找到了一个,里面住着许多女人。他能和所有这些女人住在同一个家吗?
출연:罗德·泰勒 凯特·鲍尔 本·怀特 丽莎·戴维斯 贝蒂·洛乌·格尔森 J·帕特·奥马利 玛莎·温特沃思 大卫·弗兰克海姆 弗莱德里克·沃洛克 汤姆·康威 都铎·欧文 乔治·佩林 拉姆齐·希尔 奎妮·伦纳德 玛乔丽·本尼特 米基·马加 巴巴拉·比尔德 美美·吉布森 桑德拉·艾勃特 瑟尔·莱文斯克洛福特 比尔·李 保罗·韦克斯勒 芭芭拉·卢迪 丽莎·丹尼尔斯 巴兹尔·勒伊斯达尔 戴尔·麦肯南 西尔维·玛丽奥特
감독:克莱德·杰洛尼米 汉密尔顿·卢斯科 沃夫冈·雷瑟曼
줄거리: 罗格于(Ben Wright 配音)和阿尼塔(Lisa Davis 配音)夫妇饲养的大麦町狗庞哥(Rod Taylor 配音)与帕蒂塔(Cate Bauer 配音)喜结良缘,共组成欢乐家庭。没过多久,帕蒂塔生育了十五只小狗。正在一家人享受小狗带来的欢乐之际,阿尼塔的女上司克鲁拉·德维尔(Betty Lou Gerson 配音)打起了坏主意。她正在为制作一件黑白斑点的大衣而发愁,于是她派人绑走了小狗,和其他八十四只大麦町幼犬一同关在乡间的空屋里。发现孩子失踪的庞哥与帕蒂塔,通过狗吠召集全市的狗类,一同找寻自己的孩子,一场小狗救援记就此展开,庞哥与帕蒂塔能否在小狗被宰杀之前营救他们逃出呢…… 《101斑点狗》是迪士尼1961年推出的第17部经典动画,取材自Dodie Smith 的作品。
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